Oct 6 2017

Entertainment News – Los Angeles Times, passages malibu review.#Passages #malibu #review




The Teacher has a lesson for audiences about corruption in a Communist society

Now that Sgt. Pepper has been remixed and reissued, Ringo Starr shares his wish list

Firefighter who resuscitated Princess Diana remembers her final moments on 20th anniversary of her death


Beside Bowie: The Mick Ronson Story argues that British rocker deserves more credit for Ziggy Stardust success

Mapping Sunset Blvd

As jazz waned, the Hollywood Palladium helped popularize the Latin music craze


The Los Angeles Chamber Orchestra is one of the city’s most respected ensembles, and the sound of its principal oboe just got a little bit richer. The orchestra has received the largest gift in its 50-year history — $1.5 million from philanthropists Carol and Warner Henry — Executive Director Scott.

Most terrible movies are tediously bad, not worth the effort connoisseurs of garbage would spend tracking them down. But then there are misfires like “Mike Boy,” which are so inexplicably awful that they cross over from “Don’t waste your time” to “No, seriously, you have to see this.” Big-screen.

One’s pulse isn’t given much of a pounding in Michael Apted’s “Unlocked,” a straight-ahead political thriller that fails to ratchet up the requisite tension despite its timely subject matter and (largely) effective cast. Former CIA interrogator Alice Racine (Noomi Rapace), an operative with a knack.

“Polina,” a dance movie based on a graphic novel, reaches a gorgeous crescendo in its final sequence: The title character (screen newcomer Anastasia Shevtsova), having taken a few detours from her presumed career path in classical ballet, steps into the spotlight as a choreographer. The work she.

The only thing possibly less pleasant than airport delays and cancellations is watching “The Layover.” Second-tier airline safety videos are more entertaining than this fourth-rate comedy. Flight attendants on Southwest’s less-traveled routes are far funnier than the cast here. Watching a lonely.

Simon Barrett’s scripts for Adam Wingard’s “You’re Next” and “The Guest” created two of the best genre releases this decade, but there’s no evidence of his fingerprints on “Temple.” Not only does this standard horror film from first-time director Michael Barrett (no relation) lack the writer’s.

“Close Encounters of the Third Kind” is being rereleased in a digitally remastered 4K edition of the director’s cut. This review was originally published Nov. 18, 1977. Charles Champlin was a former Times’ arts editor, film critic and columnist. Steven Spielberg’s “Close Encounters of the Third.

The Cairo depicted in writer-director Tarik Saleh’s “Nile Hilton Incident,” a police thriller that unfolds in the weeks leading up to the Egyptian Revolution of 2011, is as ready-made for big city noir as it is for a historic uprising. Streets teem with the desperate and unhappy; badges, money.

“Heat and Dust” is being rereleased in a new 4K restoration. This review was originally published Nov. 9, 1983. Kevin Thomas reviewed films for The Times for nearly 50 years. “Heat and Dust” draws us into a treacherous, precarious world of vanished splendor, that of royal India under British rule.

Before director Kevin Greutert helmed “Saw VI” and “Jessabelle,” he was the editor on the terrific home-invasion thriller “The Strangers.” Greutert’s new horror film “Jackals” (written by Jared Rivet) feels disappointingly derivative of the movie he worked on a decade ago, but at least he knows.

Although “Valley of Bones” features some potentially intriguing plot elements and a vivid backdrop, this earnest quasi-crime thriller, directed by Dan Glaser, takes too long to gain momentum and deliver the requisite action and suspense. Set (and largely shot) in the badlands of North Dakota, “Bones”.

As long as men have been placed behind bars they ve plotted to escape, and those plans have powered prison-break movies without end. But even in that large group, Le Trou stands apart. For one thing, made in 1960 and showing in a new 4K restoration at Laemmle s Ahrya Fine Arts in Beverly Hills.

“Viceroy’s House,” which largely succeeds in its attempt to present a comprehensive, yet efficient look at the 1947 partitioning of the British Indian Empire, proves a far more absorbing and thematically rich experience than its history-lesson trappings might imply. That said, there are so many.

Bill Morrison s virtually indescribable “Dawson City: Frozen Time” was a surprise Los Angeles art house hit when it debuted here in June, doing so well that it’s been brought back for a return engagement. Starting with the discovery of unknown films in Canada’s unforgiving Yukon Territory, director.

Look for some new faces in the drama acting categories at the Emmy nominations

For Season 5 of Orange Is the New Black, there s a riot goin on

Every single movie coming out this summer

No men or columns: A look inside Wonder Woman s paradise island Themyscira

Doug Nichol’s documentary “California Typewriter” is a rich, thoughtful, meticulously crafted tapestry about the evolution of the beloved writing machine for purists, history buffs, collectors and others fighting to preserve or re-embrace analog life. The film, which first began as a brief look.

Like most divorcing couples, the duo at the center of Joachim Lafosse’s “After Love” are in a kind of limbo. But for Marie and Boris, played to riveting perfection by B r nice Bejo and C dric Kahn, that state of emotional in-between is intensified by a particular set of financial circumstances.

The artists of the Hammer Museum s PST LA/LA show Radical Women come together for a conversation about art, feminism and current politics, which echo the turbulent 70s era from which they emerged.

Portland Art Museum in Oregon showcases the work of an architect remembered for his efforts to celebrate and preserve the natural beauty of the Pacific Northwest.

Writer-director-actress Lake Bell’s directorial debut, “In a World …,” sparkled with a refreshing feistiness in its unapologetic take-down of gender inequality in Hollywood. Her follow-up film, “I Do … Until I Don’t,” which she also wrote, directed and stars in, might have taken a similarly voracious.

That old line “I went to a fight the other night and a hockey game broke out,” informs “Goon: Last of the Enforcers,” a raunchy, ploddingly unfunny comedy sequel to 2012’s equally crass but disarmingly endearing “Goon.” Seann William Scott once again takes to the ice as Doug Glatt, the low-key.

There will be no red carpets. No paparazzi. At 8,750 feet above sea level, even oxygen will be in relatively short supply. But when the 44th Telluride Film Festival kicks off Friday, scores of filmmakers, stars and movie executives will make their way to the isolated town in the mountains of Colorado.

Morrissey, lead singer of the Smiths, beloved cultural icon, the Pope of Mope, is a character built for a biopic, with his James Dean-inspired pompadour and earnestly morose lyrics born out of working-class ennui and teenage depression. Mark Gill’s debut feature, “England Is Mine,” tackles the.

The show trumpets MoMA s acquisition of the Wright archive but also reminds visitors that the cool kids at the museum still find the architect a little bit embarrassing.

Jay Baruchel moves behind the camera with Goon: Last of the Enforcers.

SERIES Project Runway The designers are treated to a private screening of the film “Leap!” and a performance by Hiplet for inspiration. 9 p.m. Lifetime Zoo Jackson (James Wolk) isn’t exactly himself when he assaults Abigail (guest star Athena Karkanis), and his colleagues struggle to save her.

Syd Silverman, the last in a line of family members who steered the Hollywood trade publications Variety and Daily Variety from the days of vaudeville to the era of mega-budget cinema, has died at 85. Silverman, whose grandfather founded Variety on a $2,500 loan in 1905, died Sunday in Boca Raton.

Well, of course he got the band back together. Going out on top — and then just staying that way? It would’ve seemed counter to the animating spirit of the thing. When James Murphy started LCD Soundsystem in 2002, the singer, producer and vintage-synth connoisseur introduced the group with “Losing.

After a week of Gustavo Dudamel’s imaginative programming that featured living, breathing composers — Dan el Bjarnason and John Adams — taking bows, the Los Angeles Philharmonic returned to what might be called heirloom Hollywood Bowl on Tuesday night. A hot day bequeathed the kind of clement.

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